Esther C. M. Yau and Kyung Hyun Kim

Guest Editors' Introduction
positions 9(2): 279-286 (2001); DOI:10.1215/10679847-9-2-279 [PDF]  

Articles

Bliss Cua Lim

Spectral Times: The Ghost Film As Historical Allegory
positions 9(2): 287-329 (2001); DOI:10.1215/10679847-9-2-287 [PDF]  

Jonathan L. Beller

Third Cinema in a Global Frame: Curacha, Yahoo!, and Manila by Night
positions 9(2): 331-367 (2001); DOI:10.1215/10679847-9-2-331 [PDF]  

Kyung Hyun Kim

Male Crisis in New Korean Cinema: Reading the Early Films of Park Kwang-su
positions 9(2): 369-399 (2001); DOI:10.1215/10679847-9-2-369 [PDF]  

Gina Marchetti

Cinema Frames, Videoscapes, and Cyberspace: Exploring Shu Lea Cheang's Fresh Kill
positions 9(2): 401-422 (2001); DOI:10.1215/10679847-9-2-401 [PDF]  

Helen Hok-sze Leung

Queerscapes in Contemporary Hong Kong Cinema
positions 9(2): 423-447 (2001); DOI:10.1215/10679847-9-2-423 [PDF]  

Joan Kee

Claiming Sites of Independence: Articulating Hysteria in Pak Ch'l-su's 301/302
positions 9(2): 449-466 (2001); DOI:10.1215/10679847-9-2-449 [PDF]  

Susan J. Napier

Confronting Master Narratives: History As Vision in Miyazaki Hayao's Cinema of De-assurance
positions 9(2): 467-493 (2001); DOI:10.1215/10679847-9-2-467 [PDF]  

Errata
positions 9(2): 496 (2001); DOI:10.1215/10679847-9-2-496 [PDF]  

Contributors

Contributors
positions 9(2): 495-496 (2001); DOI:10.1215/10679847-9-2-495 [PDF]  

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