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Contents: Volume 8, Number 3, Winter 2000   [Index by Author] 
Editor for this issue: Gennifer Weisenfeld

Other Issues:

Articles
Commentaries
Contributors


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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.


Gennifer Weisenfeld
Guest Editor's Introduction
positions 8(3): 591-603 (2000); DOI:10.1215/10679847-8-3-591 [PDF]  

Articles

Christine M. E. Guth
Charles Longfellow and Okakura Kakuzo: Cultural Cross-Dressing in the Colonial Context
positions 8(3): 605-636 (2000); DOI:10.1215/10679847-8-3-605 [PDF]  

Jordan Sand
Was Meiji Taste in Interiors "Orientalist"?
positions 8(3): 637-673 (2000); DOI:10.1215/10679847-8-3-637 [PDF]  

Carol Ann Christ
"The Sole Guardians of the Art Inheritance of Asia": Japan and China at the 1904 St. Louis World's Fair
positions 8(3): 675-709 (2000); DOI:10.1215/10679847-8-3-675 [PDF]  

Kim Brandt
Objects of Desire: Japanese Collectors and Colonial Korea
positions 8(3): 711-746 (2000); DOI:10.1215/10679847-8-3-711 [PDF]  

Gennifer Weisenfeld
Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues
positions 8(3): 747 (2000); DOI:10.1215/10679847-8-3-747 [PDF]  

Leo Ching
Savage Construction and Civility Making: The Musha Incident and Aboriginal Representations in Colonial Taiwan
positions 8(3): 795-818 (2000); DOI:10.1215/10679847-8-3-795 [PDF]  

Commentaries

Cherie Wendelken
Pan-Asianism and the Pure Japanese Thing: Japanese Identity and Architecture in the Late 1930s
positions 8(3): 819-828 (2000); DOI:10.1215/10679847-8-3-819 [PDF]  

Contributors

Contributors
positions 8(3): 829 (2000); DOI:10.1215/10679847-8-3-829 [PDF]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.


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