Joan Kee

Guest Editor's Introduction: Twenty Questions
positions 12(3): 599-610 (2004); DOI:10.1215/10679847-12-3-599 [PDF]  

Articles

Reiko Tomii

Historicizing "Contemporary Art": Some Discursive Practices in Gendai Bijutsu in Japan
positions 12(3): 611-641 (2004); DOI:10.1215/10679847-12-3-611 [PDF]  

Lee Weng Choy

Authenticity, Reflexivity, and Spectacle; or, The Rise of New Asia Is Not the End of the World
positions 12(3): 643-666 (2004); DOI:10.1215/10679847-12-3-643 [PDF]  

Joan Kee

Trouble in New Utopia
positions 12(3): 667-686 (2004); DOI:10.1215/10679847-12-3-667 [PDF]  

Patrick Flores

Catholic Capital: Consuming Manuel Ocampo
positions 12(3): 687-710 (2004); DOI:10.1215/10679847-12-3-687 [PDF]  

Thomas J. Berghuis

Considering Huanjing: Positioning Experimental Art in China
positions 12(3): 711-731 (2004); DOI:10.1215/10679847-12-3-711 [PDF]  

Alice Ming Wai Jim

Urban Mediations in Hong Kong Contemporary Art: Notes on A Very Good City and Local Orientation
positions 12(3): 733-758 (2004); DOI:10.1215/10679847-12-3-733 [PDF]  

Commentaries

Sheldon Lu

Beautiful Violence: War, Peace, Globalization
positions 12(3): 759-771 (2004); DOI:10.1215/10679847-12-3-759 [PDF]  

Gao Minglu

The Great Wall in Contemporary Chinese Art
positions 12(3): 773-786 (2004); DOI:10.1215/10679847-12-3-773 [PDF]  

Contributors

Contributors
positions 12(3): 787-788 (2004); DOI:10.1215/10679847-12-3-787 [PDF]  

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