Leslie Pincus

Guest Editor's Introduction
positions 10(1): 1-6 (2002); DOI:10.1215/10679847-10-1-1 [PDF]  

Articles

Noriko Aso

Sumptuous Re-past: The 1964 Tokyo Olympics Arts Festival
positions 10(1): 7-38 (2002); DOI:10.1215/10679847-10-1-7 [PDF]  

Abé Mark Nornes

The Postwar Documentary Trace: Groping in the Dark
positions 10(1): 39-78 (2002); DOI:10.1215/10679847-10-1-39 [PDF]  

Wesley Sasaki-Uemura

Competing Publics: Citizens' Groups, Mass Media, and the State in the 1960s
positions 10(1): 79-110 (2002); DOI:10.1215/10679847-10-1-79 [PDF]  

Ann Sherif

The Politics of Loss: On Et Jun
positions 10(1): 111-139 (2002); DOI:10.1215/10679847-10-1-111 [PDF]  

Reiko Tomii

State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company
positions 10(1): 141-172 (2002); DOI:10.1215/10679847-10-1-141 [PDF]  

Leslie Pincus

A Salon for the Soul: Nakai Masakazu and the Hiroshima Culture Movement
positions 10(1): 173-194 (2002); DOI:10.1215/10679847-10-1-173 [PDF]  

Yoshikuni Igarashi

The Unfinished Business of Mourning: Maruyama Masao and Postwar Japan's Struggles with the Wartime Past
positions 10(1): 195-218 (2002); DOI:10.1215/10679847-10-1-195 [PDF]  

Commentaries

Geoff Eley

Politics, Culture, and the Public Sphere
positions 10(1): 219-236 (2002); DOI:10.1215/10679847-10-1-219 [PDF]  

Contributors

Contributors
positions 10(1): 237-238 (2002); DOI:10.1215/10679847-10-1-237 [PDF]  

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